A vase of white flowers stands out against a dark background, evoking the end of a cycle and fading beauty.
A vase of white flowers stands out against a dark background, evoking the end of a cycle and fading beauty.
In Spring is gone, a vase of white flowers stands out against a dark background—deep, but not entirely black—like a dusk that still holds traces of fading light. Some flowers remain standing, while others have fallen, evoking the end of a cycle, fading beauty, and the quiet trace of time passing. The contrast between the white flowers and the somber background highlights the delicacy of each form, as if what is fleeting could be made eternal for a moment. The fallen flowers do not only speak of loss but also of transformation: what once bloomed becomes memory, what was once spring leaves behind a silent mark.
Oil painting with layered textures and expressive brushwork, using contrast between light and dark to create emotional depth.
Inspired by the cyclical nature of seasons and the beauty found in moments of transition and change.